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This website contains about The Old Man and the Sea six thousand ebooks from a huge selection of authors. The assortment of these publications come in the following classes: fictions/novels, short tales, poems, essays, plays, nonfictions. Many these books are classic works of Us Literature, English Books, and Irish Materials from well-known authors including William Shakespeare, Indicate Twain, Charles Dickens, Oscar Wilde, Robert Ice, Edgar Allan Poe, Alexander Pope, Arthur Conan Doyle, Helen Austen. and more authors’ works will likely be added to the net collection. Throughout these special web pages, you will come across The Old Man and the Sea many honor winning publications for your online reading. Delight in and please tell a friend, thanks.

Description : DIFFERENT OFFER (this item listed here is DIFFERENT from the title and/or picture above. Please see description & pictures by BookGems before placing an order): Edition Charles Scribner’s Sons, Reissue edition, 1952. SBN: 684-71805-7. PAPERBACK. 123 pages, size: 10.1 x 18 x 1 cm. Just tanning to paper edges. Other than that, the book appears to be well preserved, and remains in very good condition throughout. Text all clean and tight. Prompt dispatch from UKHere, for a change, is a fish tale that actually does honour to the author. In fact The Old Man and the Sea revived Ernest Hemingway’s career, which was foundering under the weight of such post-war stinkers as Across the River and into the Trees. It also led directly to his receipt of the Nobel Prize in 1954 (an award Hemingway gladly accepted, despite his earlier observation that “no son of a bitch that ever won the Nobel Prize ever wrote anything worth reading afterwards”). A half century later, it’s still easy to see why. This tale of an aged Cuban fisherman going head-to-head (or hand-to-fin) with a magnificent marlin encapsulates Hemingway’s favourite motifs of physical and moral challenge. Yet Santiago is too old and infirm to partake of the gun-toting machismo that disfigured much of the author’s later work:

“The brown blotches of the benevolent skin cancer the sun brings from its reflection on the tropic sea were on his cheeks. The blotches ran well down the sides of his face and his hands had the deep-creased scars from handling heavy fish on the cords.”

Hemingway’s style, too, reverts to those superb snapshots of perception that won him his initial fame:

Just before it was dark, as they passed a great island of Sargasso weed that heaved and swung in the light sea as though the ocean were making love with something under a yellow blanket, his small line was taken by a dolphin. He saw it first when it jumped in the air, true gold in the last of the sun and bending and flapping wildly in the air.

If a younger Hemingway had written this novella, Santiago most likely would have towed the enormous fish back to port and posed for a triumphal photograph–just as the author delighted in doing, circa 1935. Instead his prize gets devoured by a school of sharks. Returning with little more than a skeleton, he takes to his bed and, in the very last line, cements his identification with his creator:

“The old man was dreaming about the lions.”

Perhaps there’s some allegory of art and experience floating around in there somewhere–but The Old Man and the Sea was, in any case, the last great catch of Hemingway’s career. —James Marcus

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